The stains of the artist seem to be made with a single brush, without hesitation, distractions, exaggerations or pretensions, they are simply natural. Each is a colorful field, like Frankenthaler’s art, with its own aesthetic, radiating both warmth and coldness.

Sometimes they overlap with each other, in a certain dance, and they make us think of sophisticated makeup palettes, fashion trends, fashion shades, haute couture sketches, overlays of exotic textiles and fine patches of fabrics.

The artist does not look for perfect forms, only beauty in the stains, in their chromatic planes that assemble dynamically, as in that simplicity and throwing for with her art... so tan of Mexico and colored of Europe, so diaphanous and translucent, so opaque and dull, but so vivacious, clear, lit and bright. In a word, surprising, for its way of dominating the relations and interactions between the different colours.